Resident Evil: Afterlife (2010) – In a world ravaged by a virus infection, turning its victims into the Undead, Alice continues on her journey to find survivors and lead them to safety. Her deadly battle with the Umbrella Corporation reaches new heights, but Alice gets some unexpected help from an old friend. A new lead that promises a safe haven from the Undead takes them to Los Angeles, but when they arrive the city is overrun by thousands of Undead – and Alice and her comrades are about to step into a deadly trap. Resident Evil: Afterlife (2010)
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Resident Evil: Afterlife (2010) (2010) disutradarai oleh Paul W. S. Anderson, berdurasi 97 menit. Diproduksi di Canada, Germany, USA dan dirilis pada 9 Sep 2010.
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Beberapa bintang yang ikut tampil di film ini antara lain: Ali Larter, Azmyth Kaminski, Bill Blair, Boris Kodjoe, Brian Jansen, Christopher Kano, Denis Akiyama, Devon Richards, Emmanuel Buriez, Fulvio Cecere, Hiromi Okuyama, Iain Glen, Jamie Ferenczi, Jay Yoo, Kacey Clarke, Kenta William Tomeoki, Kim Coates, Martin Crewes, Mika Nakashima, Milla Jovovich, Nobuya Shimamoto, Norman Yeung, Peter Kosaka, Ray Olubowale, Sergio Peris-Mencheta, Shawn Roberts, Shin Kawai, Sienna Guillory, Spencer Locke, Stefen Hayes, Takato Yamashita, Tatsuya Goke, Wentworth Miller.
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Review Penonton Resident Evil: Afterlife (2010)
Andres Gomez (March 6, 2014)
As bad as the rest of the saga. Tons of action and FX with brainless script and plenty of bad actors.
JPV852 (November 20, 2020)
Second time seeing this one, basically feel the same way, not terribly impressive effort, some spotty visual effects, a few silly fun moments however the finale looked like a poor Matrix copycat. But found some parts entertaining enough, just nothing all that memorable. **2.5/5**
Andre Gonzales (August 8, 2023)
Still in the process of bringing the umbrella company down. Alice finds out about a safe haven from her rescuers.
RalphRahal (February 3, 2025)
Resident Evil: Afterlife (2010) is a movie built entirely around its 3D experience, and that is both its strength and its downfall. The story takes a slightly better direction than the previous sequels, benefiting from W.S. Anderson’s return as director, but it still lacks depth. The movie leans fully into action and spectacle, with a focus on flashy sequences rather than strong storytelling. Watching it in 3D, the visuals and effects shine, giving a level of immersion that helps mask the flaws, but in 2D, it loses much of its impact and starts to feel more like a video game cutscene than a cinematic experience. The cinematography and editing are more controlled than in the last two films, making the action at least watchable without feeling overly chaotic. Slow motion is used heavily, almost excessively, but in the 3D format, it works as intended. The film’s standout moment is the chained hammer attack, which delivers one of the most memorable uses of 3D, making it a rare scene that actually evokes a reaction. While the direction is better, the script remains simplistic, offering just enough to move the story along without any real depth. Milla Jovovich once again carries the film, keeping it entertaining with her presence and well-executed action sequences. The supporting cast is there, but nothing particularly stands out. The soundtrack keeps the industrial rock vibe going, fitting well with the movie’s style. Overall, Afterlife is all about the 3D spectacle. If watched in its intended format, it is an enjoyable action-packed ride. In 2D, however, the flaws are much harder to ignore, making it a much weaker film when stripped of its biggest selling point.
